{"id":5514,"date":"2026-03-21T11:47:50","date_gmt":"2026-03-21T10:47:50","guid":{"rendered":"https:\/\/hu-film.de\/2026\/03\/21\/forbidden-fruit-funded-for-production\/"},"modified":"2026-03-21T11:47:51","modified_gmt":"2026-03-21T10:47:51","slug":"forbidden-fruit-funded-for-production","status":"publish","type":"post","link":"https:\/\/hu-film.de\/en\/2026\/03\/21\/forbidden-fruit-funded-for-production\/","title":{"rendered":"FORBIDDEN FRUIT funded for production"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"5514\" class=\"elementor elementor-5514 elementor-5504\" data-elementor-settings=\"[]\">\n\t\t\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-13c49ffb elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"13c49ffb\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7c6216d1\" data-id=\"7c6216d1\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c3f5083 elementor-widget elementor-widget-text-editor\" data-id=\"c3f5083\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>In FORBIDDEN FRUITS, Bianca Gleissinger uses honest self- and social criticism to explore the question of whether, in times of body positivity and Instagram filters, we haven&#8217;t gotten tangled up in similarly toxic areas of tension like our mothers and grandmothers. The director chooses a stirring, narrative construct for this autobiographical film. As a subjective narrator, she explores her own experiences, dating back to her youth, with the expectations of female body images and an excessive diet madness &#8211; almost as a prescribed chain contract with her own insecurities.<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>After receiving FFA development funding, the FFA&#8217;s jury-based production funding has now provided production funding for Bianca Gleissinger&#8217;s hybrid documentary 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